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HOW DO WE INHABIT FICTION?

This project aims to reidentify the perception of war by examining its various identities through historical developments. Memories and perceptions of events are explored through “fictional truths” recounted by individuals, literature, and art highlighting the socio-political entanglements that affect design approaches and function. Through the lens of architecture and fiction, I set out to uncover the buried footprints of war that exist within cityscapes that were shaped by these perceptions with the intent of reclaiming the identities of spaces through reinhabitation.

Exploring

the physicality of warfare through fiction.

Inhabiting Fiction identifies the buried footprints of war that still exist in urban landscapes to redefine the perspectives of these defensive architecture. Research presented through the website is used to understand the identity of warfare, reconsider perspectives, memories and relocate architecture to explore the possibilities of re-inhabitation through fictional narratives. 


The project compares the creation, functions and subsequent modification of spaces during and after wars, analysing the differences between these identities in Singapore and London, focusing on the dichotomy between recreational and defensive spaces.
This research through design approach is applied to “Tiong Bahru Air Raid Shelter”, a site in Singapore. In this old estate of Tiong Bahru exists pre-war public housing built by the government where many of the original apartments still stand relatively unchanged.


During the war, there were several air raid shelters built to anticipate the Japanese invasion. These air raid shelters were re-purposed “void decks”, open community spaces underneath apartments. Reinforced walls were built around the structural bases of apartments, creating an enclosed labyrinth which citizens could hide inside. The aim here was to re-inhabit these defensive spaces with a comparison of the original usage of this space alongside. 


When applied to war architecture in London however, the functions of underground bunkers were built solely for defense during wars. As the original intent of these spaces was not re-purposed, the approach would have to be different than that of Singapore. 


The location is an air raid bunker located underneath Goldsmiths, a dark and cavernous space. With the same idea of “re-inhabiting spaces”, I came up with spatial interventions where I could design a response that shifts the perception of these intimidating and secret spaces, especially during a tumultuous political climate that promotes paranoia and fear. 

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